Telling stories through music

Brian L.H. Gunter is an experienced composer and sound designer for film, television, and video games. When in his element, Brian is blending classic scoring orchestras with modern synth and guitar driven influences with a twisted take on “story immersive sound design”.

For details on how Brian can support the

emotional undercurrent of your stories…

What directors are saying…

  • “His ability to understand and enhance the emotional depth of a film through his music is exceptional...he embraces challenges with enthusiasm and is always eager to push creative boundaries.!”

    James Eaves

    "The Apocalypse Box" &  "You Might Get Lost"

  • "Brian has worked on all of my films...He has a rare combination of technical expertise, artistry, and a team-player attitude that makes him an asset to any project."

    Yvonne Winfrey

    "White Vinegar" & "Rubber Room"

  • "His communication and ability to hit our key milestones were critical to the success of the project. He executed the vision flawlessly. I’m looking forward to working with him again!""

    Jason Refsland

    Director - "No Body, Yes Coffee"

  • "Brian is an incredibly talented and versatile composer...He's always open to feedback and changes...and to experiment with crazy ideas. Had an absolute blast working with him!"

    Samuel Torrez

    Director - "Bloody Felt"

  • "Brian's communication was excellent, his expertise was evident, and he managed to craft a memorable soundtrack under tight deadlines. Thanks to his work, we won the award for “Best Song”

    Nick Bernat

    Director - "Calling Out Sick: The Musical"

LATEST NEWS

and BTS BITS

“Music for all”

I was curious if I could produce a professional sounding score mockup using only FREE software (DAW, effects plugins, instrument libraries, etc…all freeware). I was really surprised at the results I achieved!

The moral of this story…the ability to express and craft music should be , and IS, readily available to all! There is absolutely a reason for professionals to have elaborate setups of expensive gear and software. However, as this experiment has proven to me, experience and knowledge can go so much farther than having expensive stuff.

I do have some expensive stuff, and I use the pricey high-end professional gear and software. But I also have the experience and knowledge to use it to it’s fullest advantages. So if I can compose and produce a score like this one with ONLY free stuff…imagine what I can do with the pro gear…

I’m Brian, and I make noise so you can tell your stories!